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Sam Skinner
About
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Torque 2
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The New Observatory
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Opticon
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Typemotion
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Torque 1
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Furtherfield
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Ethics of Coding: A Report on the Algorithmic Condition
I was research associate at Kingston University on this EU funded project between 2017 and 2018. I contributed to the report and organised a workshop and public event at ICA, London.
The EU project page is here and the final report can be viewed here .
I also designed a poster for the event that was reworked for the cover of the report - both shown here.
The project was lead by: Prof Felicity Colman, Kingston University; Prof Vera Bühlmann, Technische Universität Wien; Prof Aislinn O’Donnell, Maynooth University; and Prof Iris van der Tuin, Utrecht University.
Extract from project abstract:
"This project responds to the ICT-35-2016 Enabling responsible ICT-related research and innovation, topic B, and will ""reflect and challenge the way ICT-related research and innovation is currently approached."" The computerization of society in the late 1970s has now reached a point where the global economy works through an algorithmic networked environment. This situation is addressed in this research as an algorithmic condition. Any form of ICT operates within this condition. The question is, what are the ethical codes and guidelines that guide research within this condition? The Ethics of Coding prepares research that will provide an indexical report on the conceptual and thematic issues of ICT- related research and innovation, which will suggest what an ethics for ICT related issues could be, and how that might be implemented in relation to actualized and possible ICT projects. In addition, the research addresses the extent to which the coding of the social, ethical, and pedagogic, is always already invested in the maintenance of power relations that control the economic conditions for knowledge (which regulate the global markets) with what Wendy Chun (2011) describes as a ""code logos."" Working with the Philosopher of the human condition of the twentieth century; Hannah Arendt (1958; 1978), an inter-disciplinary think-tank research team brings Arendtian ethical philosophy into dialogue with SSH experts from a number of disciplinary fields, including thinkers of technologies and their effects on societies, philosophers of mathematics, gender and humanities experts, educational philosophy specialists, digital media thinkers, to produce a report that reflects the expression of the human algorithmic condition. The project is committed to engaging with a broad range of stakeholders to substantiate its approach and the resources requested include a substantial budget to facilitate the participation of external experts in the EoC colloquia and the final project event."
Hello!
I'm an artist and curator – my practice is focused on relations between technology, media, and community. I employ a range of processes from historical research to printmaking, curation to mural making, publishing to workshops.
I recently relocated to Oxford where I'm working on a number of new projects including: exploring the realtionship between the senses and books for a forthcoming exhibition at the Bodleian Library; researching the long term impact of social distancing and how the arts may be used as part of a restorative process; curating a library themed exhibition at Exhibition Research Lab, Liverpool School of Art; and a project investigating AI, decentralisation, and publishing.
I co-direct Torque , an experimental digital literacy and publishing project. Our most recent book was Artists Re:Thinking the Blockchain produced in collaboration with Furtherfield . I was co-chair of Working Group 1 of the COST Action on New Materialism , between 2014-18, and co-edited the project almanac , which I'm developing for the new Matter journal, based at the University of Barcelona. My most recent paper entitled 'Community' co-written with mirko nikolić was published in Philosophy Today . I was research associate at Kingston School of Art for the Algorithmic Condition project, and have taught at Ravensbourne and Lancaster Universities.
In 2019 I completed a PhD based between Manchester School of Art and FACT , Liverpool, which investigated the history of the old Liverpool Observatory. My research translated into a group exhibition entitled The New Observatory at FACT, co-curated with Hannah Redler of the Open Data Institute, and an artist book, Obs, published by Broken Dimanche .
I previously lived and worked in Thamesmead, South East London, where I collaborated with TACO! to develop RTM , a new community radio station in the area. I also produced a number of projects with Peabody locally, including a culture guide, arts participation survey, arts festivals in 2015 and 2016, and a tile and lighting installation.
I have a BA (LJMU) and MA (Sussex) in Art History.
For further details and up-to-date info please get in touch.
mail@samskinner.net
@samwskinner
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